Memory Theory and Advertising that Sticks

What were we talking about?

Oh, yes. Memory theory and advertising that sticks.  Yes. Yes.

The topic’s important now because those old purchase models of yesteryear are falling obsolete.  The line isn’t as straight as the awareness, interest, understanding, trial and loyalty diagrams of the past.  In today’s world, it’s a convoluted customer journey that winds through life.  For the marketer, therefore, it’s important the brand be remembered when the time to buy comes.  In short, memorability matters.

So to start, before I forget, let’s cover the memory theory part.

Everyone is challenged with memory from time to time.  Where did I put my phone?  What’s that person’s name?  Was that Samuel Jackson or Lawrence Fishburne in The Matrix?

The big worry with memory is it supposedly gets worse over time, and that’s a scary thought.  So, after my beloved wife accused me of being spacey about important family matters, I took to studying the practice of memory.

The journey itself was, dare I say, unforgettable.  As in:

  • Did you know there is a World Memory Championship held every year where contestants go through incredible feats of memory?   http://www.worldmemorychampionships.com/
  • Did you know former New York Knicks center Jerry Lucas memorized and recited the names of an entire studio audience on a 1970s talk show?
  • Did you know there are currently 151 Grand Master of Memory award winners?  They earned it by memorizing 1,000 random digits in one hour, the order of 10 shuffled decks of cards in another hour and the order of a shuffled 52-card deck in under two minutes.  http://www.world-memory-statistics.com/grandmasters.php

Fascinating stuff, memory is.

The study of memory has helped me immensely and, though I’m by no means a memory expert, I feel great about my personal improvement.

Proven Memory Techniques

The key techniques I’ve put into practice include these fail-safes:

  1. Create visual references, stories
  2. Make associations with familiar places, journeys
  3. Revisit, regurge and repeat
  4. Engage with hands-on involvement

Visual learning is the obvious and easiest to understand.  People remember things they see because we’re programmed that way from prehistoric time. Early man didn’t read his way through life — he saw and experienced things. Complex concepts, such as good and evil, were made into people or animals not just because the words for them didn’t exist, but because people could visualize, understand and remember the stories and then pass them on.  (And if they couldn’t, well, that’s a separate topic that Darwin explored nicely.)

Hence, as if by magic, it works well to remember things by creating visual associations and connecting them in a story.  Even more magical, the odder the story, the more memorable it becomes.

A similar but different memory aid is to associate things with what’s already well known: common places and journeys.  It’s the Method of Loci, which dates back as a study in mnemonics to Greek and Roman times.

The Method of Loci involves creating visual ties with familiar places like your home’s living room layout or journeys like your route to the office.  This is a great technique because it compartmentalizes things nicely and it can expand and expand and expand into whatever level of detail you need.  Once you’ve made the associations, you just have to enter the room or take the drive to recall things.  Method of loci: http://health.howstuffworks.com/human-body/systems/nervous-system/how-to-improve-your-memory7.htm

Next, there is the revisiting and repeating.  Certainly, memory improves on anything the more you go over it. But when you go over the visual associations and the critical information together, it seems to hold the memory tighter, longer and easier.  It’s in the connections in the mind, and it works.

Engaging is the last of the tools. You have to actually try something to learn it. That’s why we have internships.  That’s why sciences are taught in labs.  That’s why music is theory and practice. It’s the practice that sinks in.

Don’t Forget Great Advertising

So what does that have to do with great advertising?  Plenty.

Brand building in general and advertising in particular are about being recognized, remembered and revered.  It’s not surprising one of the fundamental research questions surrounding any brand or ad is about recognition and recall.   Unaided recall: Very good.  Aided recall: Ok.  Never-heard-of-it: Bad.

True, great advertising isn’t all about being memorable, of course. The 2015 Super Bowl ads for Nationwide Insurance were memorable for the wrong reasons and created regrettably negative associations.  Advertisements that cross into the inappropriate, off-target or confusing world of misguided creative may break through and be remembered, but that’s not good brand stewardship, either.

All the same, brand recognition and recall are essential to brand value, and I believe ads need to go beyond breakthrough and beyond blind repetition to be memorable.

Examples to Remember

So let’s connect the four techniques:

Create visual references that tell stories — and the odder the better.  The still photograph, the illustration, the video are what people see and what they remember, way before the clever headline or tag.

Here are a few examples: Absolute vodka transformed everything we see into the shape of the bottle, and it became iconic. Snickers “Brady Bunch” ad brings in tough-guy Machete Kill’s Danny Trejo who morphs into Marsha and Steve Buscemi appearing as Jan. Nobody remembers the line “When you’re hungry you’re not you” but the message and ad aren’t forgotten.

Another campaign of historic proportions is the “Bud” “Wiser” “Er” ads featuring the talking frogs. They connected frogs outside of a swamp bar to a beer. That’s an odd visual story that can’t be disconnected, no matter how hard I try.

Bottom line: Copy driven ads don’t get remembered.  It’s the visual elements that stick.  Focus on the visual first in any concept.

Making associations with familiar places and journeys.  Most advertisements, even the everyday forgettable ones, talk a common language and show common places. That’s not it. What makes the sticky ones stick is how they twist the familiar to create the tie-in.

For All State Insurance, Mayhem walks you through reasonably probable perils of owning a home or a car in common settings.  What makes it memorable is the terror the spokesperson goes through while explaining the insurance.  Now, when you’re thinking of those insurance needs, can you not think of Mayhem and All State.  All State: https://www.youtube.com/watch?v=ErGzrPGJmoY&spfreload=10

Take Bud Light.  There’s the a guy out on the town going to order a drink at the bar is the everyday — right up until the time it explodes into a over-the-top, raucous “Up for Whatever” fantasy.  I’m not a big fan of the campaign (nor am I the target), but I can’t forget it for some reason.  Bud Light: https://www.youtube.com/watch?v=g9A1NowrnGI

Bottom line:  Show the product doing what it commonly does in an arresting, uncommon way.  People will remember that when they are thinking of your category.

Revisiting and repeating.  Frequency can rack up not just gross rating points but also memory cells.  Still, running an add over and over again isn’t the answer.  It gets boring (and expensive).  What really works are revisions or retakes or fresh angles on the original theme.  That’s the repetition that gets noticed and sinks in.

Absolute did it, running the campaign through a whole museum worth of art using its bottle. Snickers kept the brand theme going through a series of interesting, memorable ads that didn’t even look or really sound the same.  All State’s kept with Mayhem, and he seems to survive an ever worsening set of terrors — none of which are covered with cut-rate insurance.

Bottom line:  Play out the concept in as many fresh ways as possible to make it memorable.  People won’t get bored with it, and it will have a long life in their minds.

Engagement.  Just as with every thing, experiences become memories that we recall again and again.  That’s why Brand Engagement is such a hot topic today and the modern call to action goes beyond  “try one today.” Marketers today want prospects to experience the product online, through videos, with customer chats, with content and with samples.  That’s all about earning engagement, which translates into memorability and activity.

Memorable ads of the past had gripping calls to action.  The great “Just Do It” campaign is the obvious example.  The ads themselves weren’t so memorable. They showed everyday people telling their stories of health and exercise. What really made the campaign memorable is that so darn many people actually “did it.”  Millions bought the Nike shoes, joined the work-out subculture and took to practicing the mantra.  That engagement keeps that ad line alive to this day, some 25+ years later.  Nike: http://www.adweek.com/adfreak/happy-25th-birthday-nikes-just-do-it-last-great-advertising-slogan-150947

Also a flash from the past, a great type of engagement comes in a musical form: Jingles.  Remember those?  People sang them. People caught themselves humming them.  Others took them further and created musical parodies that made them stick even further.  The jingle’s not as prevalent as it once was, but for memorability, there were many great ones:  Plop Plop Fizz Fizz (Alka Seltzer); I Wish I Were an Oscar Mayer Wiener; You Deserve a Break Today (McDonald’s), Stuck on Band Aid; I’d Like to Buy the World A Coke.

Bottom line:  Advertising that helps engage the customer in any way, shape or form will help make it memorable.

What to Remember

There are many things that go into a great ad.  Great ads need to have the right target, the right message, the appropriate voice and consistency.  Great ads break through the clutter and have people take notice.  And great ads build sales and brands.

Today’s ads need to work hard.  They need to stick as much as they need to motivate immediate action.  That’s why it’s important to develop ads that connect rationally and emotionally over a longer period of time.

In judging an ad campaign for its memorability, ask how well it exploits these keys to our memory banks:

  1. Does it deliver a strong visual connection?
  2. Does it connect to the familiar in a new way?
  3. Can it be extended, refreshed or revised repeatedly?
  4. Does it engage the target to action?

Rick Bayless & Constellation Brands Launches Beer

The great Kieran Folliard model’s in play here, as famed Chicago restaurateur Rick Bayless joins forces with Constellation Brands to launch a beer brand

http://www.chicagotribune.com/business/ct-constellation-beer-tocayo-1007-biz-20151006-story.html

Kieran is the fabulous and famous owner of just as fantastic Irish pubs in Minneapolis. His business with Jameson Irish Whiskey was massive, earning him the title as (I believe) the largest Jameson customer in North America. An Irishman himself, Kieran set out to start his own whiskey brand. He created 2Gingers, a smooth and startling delicious blend. He targeted woman and (helped by his brilliant wife, Lisa) launched with a campaign surrounding his new invention, the Big Ginger — a refreshing summer cocktail featuring 2Gingers whiskey, ginger ale and fresh lemon and lime juice. Distribution rolled back up through suppliers of adult beverages to his bars and things caught fire. Eventually, Jim Beam bought the brand and Kieran could toast another of his great business successes.

As always:
May the luck of the Irish
Lead to the happiest heights
And the highways you travel
Be lined with green lights

Warning: Infographic Content

What’s more interesting, more illuminating and more powerful for presenting information than the infographic?

The infographic’s unchallenged value makes me feel a bit doltish to be writing at all. Why not present my thoughts as infographics and people will read, understand, share and ultimately mount my work on their walls for proper worship?

The magnificence of infographics is such that there’s now a great infographic on the greatness of infographics. Here it is http://tinyurl.com/ofy7clp and it has all you need to know about the popularity of this tool of all communication tools.

Of course, infographics aren’t really a new idea. Could you argue that cavemen used them with their drawings and notches on their stony walls? Weren’t Leonardo da Vinci’s notebooks actually infographics? And who can forget the posters of the solar system in my 5th Grade science class at St. Robert’s: the planet photo, its name and size, its distance from the sun, its arching orbit’s distance and duration, and some other neat-o facts.

The infographic’s current popularity is more an inevitability than a surprise. People have always been visual learners. Kids books are photographs and drawings. Instruction guides are filled with diagrams. Missouri is the “Show Me” state in deference to the power of seeing. Virtually every memory class I can remember teaches you to convert concepts into visuals. The visuals trigger the memory, not the concept or the facts.

When it comes to data, the world has always had a struggle. First, factoids have both a precision and a “relativity” to them. Knowing the number is great, but what does it mean? Is it big or small in scale? Is it a trend or an eternal truth? That requires explanations that can be crazy complex.

Second – and perhaps most significantly – trouble is found in the first syllable of the word “number:” numb. Data can be awfully numbing. Doubt me? Ever heard a research presentation? Delivered in monotone? For 90 minutes? Just after lunch? Of course you haven’t. Nobody has. By minute four everyone is dead asleep at those.

Communications instructors since time immemorial have stressed the importance of visuals for bringing information to life. That’s not lost on numbers people.  Consulting firms have made gazillions based on their nifty ways to sort information into visual forms. The list is fabulous, including bar charts, pie charts (and sister donut charts), bubble charts, spider diagrams, scatter diagrams, trend lines, spark lines and the beloved matrixes, both two-dimensional and 3D. Now, it’s the infographic’s turn and voila!

Helping expand their popularity is their ease to produce. You don’t need special graphics talent to create infographics. There are several free sites where you can build your custom infographic from arty templates using simple tech-tools. The best of them I’d highly recommend a visit to, including:

  • Easel.ly
  • Piktochart
  • Infogr.am
  • Visual.ly
  • InFoto Free
  • Venngage
  • Dipity

What’s next? The interactive infographic? Oh, we have those, too. I stumble on them from time to time and get caught in their web of fascination. They get the added benefit of tactile engagement, which is another key tenant of learning theory. The only problem is that they don’t print out neatly for placement on the grotto wall. But they are fun and effective, as you can see from these examples:

http://www.webbymonks.com/infographic/webtesting/infograph.html

http://autodesk360innovates.com/landing/social-collaboration-infographic/#

http://www.nuspire.com/linked/infographic/#/slide3

http://neomam.com/interactive/13reasons/

As if I need to draw you a picture, I like infographics. They work a sort of magic on me and I’ve found myself collecting them on Pinterest. I’ve loaded up on them for many things that interest me and every one is useful to me. My small collection includes some great topics, such as:

  • Food marketing
  • Strategy
  • Public speaking
  • Social media
  • Innovation
  • Wines

Check those out here and enjoy:  https://www.pinterest.com/johnnyz1959/

But that’s not to say all infographics are great or even good. They may have a cool look and tons of great information, but many simply don’t make a point. Nothing jumps from the bad ones and they are as messy as the big pile-o-data they were supposed to clarify.

The best infographics have an implied objective and attain them through the applicable communications structures. The most common take these recognizable directions:

  • To educate: Logically build the storyline from basic to more advanced concepts in buckets people can understand and remember.
  • To persuade: State a challenge, posit a solution, support the argument, debunk alternatives, direct steps to the solution.
  • To entertain: Surprise and delight with something new, peculiar, funny in a visually engaging way.

Infographics can be great tools applied to content marketing and brand development. An infographic can connect to and support a brand if it has the same look, sound, feel and overall messaging you’d expected from the brand. The trouble occurs in B2B communications when marketers and their creative partners lose track of their brand guidelines or don’t believe they apply to their infographics. Of course they do.

The infographic is a powerful and popular tool for communicating data and complex ideas. Which begs a question:

Should I have done this in an infographic?

How to build a lasting client relationship: The Executive Version

Agency account people work with all types of client personalities, from the affable fun-lover to the know-it-all bore to the torturous sadist.

The adaptable account person can deal with every one of them seamlessly and sustainably. That’s why the best account people are not just smart, interesting and insightful – they are fantastic people people, as well.

But emotional intelligence, empathy and endurance aren’t enough to succeed with everyone. So here, I’m going to share with you how to work with the most common and challenging client type: The Executive.

For starters, I ask you not to fall into a trap. Don’t think of The Executive as a generic title, because it’s not. Many managers and contacts don’t fit The Executive mold. At your average corporation, you’ll also find these other common types in the management jobs:

  • The Thinker, who likes clarity and certainty, and gets there through dogged research and examination of options.
  • The Socializer, who brings energy to groups for collaborative outcomes, and enjoys sharing thoughts, ideas and results.
  • The Relator, who works best in small, intimate groups and succeeds internally applying structure, process and proven methods.

The Executive, however, is among the most common and, dare I say, the most important for the agency. The Executive possess the talents and traits that make them successful in the near term and stars over the horizon. These Executives are critical to the account team for three key reasons:

  • They can power big ideas through an organization. They (and you) can accomplish great things together.
  • They have the attention of senior managers. They can help or impede client relationships with those who matter most.
  • They get promoted most often to roles of greater responsibility and authority. They can anchor a long-term partnership for the agency and team.

Every account executive will encounter The Executive eventually in a corporate client. The Executive could be a man or a woman, but you’ll recognize them from these truths:

  • They have a plan. They are organized and single-minded against a thought-out plan; hence, they appear sometimes stubborn or impatient with derailments.
  • They are decisive. They know what fits their plan or doesn’t, and they’ll decided quickly from their perspective.
  • They appear tough. They’ll share their opinion with you on their decisions and they won’t shy from public opinion. They’ll make it known they stopped an initiative or went around some uncooperative player to get what they want.
  • They wield authority well. When they approve something, it moves forward – even if they have to ‘run it past’ their boss. Most everyone recognizes them for this power.
  • They are ambitious and competitive. They like individual sports or to play the star position in a team sport, and they see competitors internally and externally in their business world.

Some people might label them “control freaks,” and that’s not entirely correct. They need to control both business and social situations to be comfortable, but it’s more important to them that things are “under control.” The Executive will gladly delegate to others and allow them to do their thing, so long as they deliver the goods. Everything – creative, research, innovation, media, execution – needs to meet The Executives’ standards, but unlike the “control freak,” The Executive won’t take over the job if it doesn’t. They’ll just find someone who will.

So how do you work with The Executive type? How do you build a relationship with someone who puts their own achievements first and the value of a relationship somewhere down the line?

First, recognize, a great relationship with The Executive is quite possible and quite valuable. Recognize that it will have to be both earned as a professional and nurtured as a professional. But once it’s achieved, it can be one of the most loyal relationships you’ll find in all of business. A strong relationship with The Executive, because it is so challenging to get, becomes an impenetrable trusting partnership over time.

So here are the ways to earn and nurture that trust:

  • Grasp their plan firmly. Digest the essence, the exact content and the desired intent of the plan and apply yourself to it.
  • Always think practically. Avoid any emotional reasoning or rationale.
  • Focus on the task. Keep interactions about the job and little else.
  • Be brief. Headline thoughts, get to the point and move on.
  • Listen closely. Miscues won’t be tolerated and over time learn to anticipate their thinking.
  • Act quickly. Respond fast and accurately to requests or changes.
  • Show control. Document progress against the plan, including timing and costs.
  • Uplift the ego. Note accomplishments, successes and insights with sincerity.
  • Downplay your personal relationship. Avoid discussing feelings.

The Executive won’t be your drinking buddy and you won’t be The Executive’s confidante. The Executive will not appreciate funny story and won’t enjoy a brainstorming session.   But The Executive can be a great business partner for an agency and an account person for years to come.

Would your mother approve?

A great rule of conduct is this:  Would your mother approve?

Nobody’s watching and it’s there for the taking.  Would your mother approve?

You could choose the easy way out.  Would your mother approve?

You can test the nerves of everyone here, just for kicks.  Would your mother approve?

A conscience is natures way of telling you that something’s going wrong.  It’s motherly — emotional and smart, all at once — and it’s soft spoken.  It keeps you from harm mostly because it keeps you from doing wrong and, thus, keeps your Karma positive.

In today’s super-transparent world, we need to tune her in, turn up the volume and take heed. When things go bad, everyone everywhere knows and instant Karma’s gonna get you.  On the flip side, society wins when its members have a conscience.  So listen up: That’s your mother talking.

But can we do it?

I’m not too optimistic.  I’m particularly pessimistic when I consider the case of the owner vs mom battle at Marcy’s Diner in Portland, Maine.  There, everything evidently ran clear off the rails and a reset down the road is unlikely.

The sad sequence of events: A mother tolerates her out-of-control toddler while out to eat, forcing the owner of the diner to lose her control on the toddler, leading to an overt embarrassment of the toddler’s parents, prompting the mother to unleash a backlash against the diner owner — all brought to you for your enjoyment by the world wide web.

Once on the web’s — a completely different forum of social consciousness — it took on a life of its own.  All shapes and sizes jumped into the fray. Opinions and barbs were shared as lines were drawn, offenses  taken and defenses mounted.

And everyone took their lumps: The mom for her “bad parenting.”  The restaurant owner for verbal attacks on a child. The child for catching the flak of those intimidating screams. The restaurant patrons for witnessing this debacle. And, not to be left out, the rest of us for having to listen to this horror story of modern inconvenience over and over again.

With clear hindsight, we can all be righteous about this.  The mom needed to manage the toddler or leave.  The restaurant owner needed to find another way befitting someone in the “hospitality” business.  At a minimum, in the middle of it, someone somewhere should have asked the question: Would my mother approve?

What’s left from the wreckage is what’s next: A toddler who’s mother evidently would approve of bad behavior. The new generation, raised by the child-worshipping parents and allowed to act without conscious, is sure to run rough over everything, as their mother’s would tacitly approve.

And, to make matters worse, the web turns bad behavior into stardom.  No such thing as bad publicity, right Mr. Dillinger? The restaurant we never heard that stood up against the wild child has a ballooning fan base of followers on Facebook.

That’s where we going, the land of the absurd.  You want to get known?  Think of something that would make your mother cower.  Go do it and film it.  Edit it and post in the most dramatic way you can think of.  In fact, do it a way that would go deep under your mother’s skin.  That ought to work — and does.

We’re doomed.  I want my mommy.

http://tinyurl.com/plxvn3q

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